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Patti
Hartnagel - Edmonton, Alberta, Canada
The Raku Firing Process Raku is a centuries old firing technique developed by the Japanese. The pieces of pottery are fired outdoors in a kiln fuelled by wood or propane. The pieces are heated very quickly to the red hot stage and while the glaze is still molten, they are pulled out of the kiln and into the air. The iridescent colours and/or crackle surfaces are a result of the chemical reaction of the glaze materials oxidizing when the pots are removed from the kiln. To stop the oxidation process and control the surface effects and colours, the pots are then placed in a pit or a container, covered with combustible materials and sealed airtight with a lid. This is called a reduction atmosphere. This reduction of oxygen stops the flaming and produces smoke which permeates the clay body and the glazed surfaces. Raku pieces are characterized by the black, smoked clay body and the unusual spontaneous surface effects. Raku fired pieces are unique and make distinctive decorative objects. Patti Hartnagel Biography * I have worked exclusively in Raku for about 18 years * Raku is a very spontaneous and unpredictable firing process and therefore provides endless direction for experimentation and exploration
* My range of work includes both wheel thrown and hand built pieces: For years the cats have been my signature pieces. Inspired by my two cats, the raku varieties come in a wide range of sizes, shapes, and glaze combinations-and sports a a colourful bow tie. My raku cats were originally inspired by my real cats Kushka and Sasha - (sadly, recently deceased). My work has also been influenced by my experiences of travelling to New Mexico. Extensive research and coursework in traditional Southwest Native pottery techniques, has led to an ongoing body of work interpreting historical Southwest shapes, mask and decorations in Raku. It is a fascinating mix of East (Raku) meets West (Southwest Native). It is an area that continues to provide inspiration. More recently, my personal interest in all things Italian has included studio instruction in Florence in the traditional Maiolica technique. This has led to some preliminary experiments to introduce more colour into my Raku. A mosaics workshop at a glass studio in Siena, Italy raises the possibility of incorporating decorative glass into my work. My influences and sources of inspiration have been and continue to be rather eclectic! For me, it is this openness to experimentation-along with the unpredictable nature of the Raku firing process-that makes Raku an exhilarating medium with which to work. My work is currently available at the following outlets: ALBERTA:
Edmonton:
Black Diamond :
Grande Prairie:
BRITISH COLUMBIA:
ONTARIO: Point Edward:
Exhibitions, Education and Recognition 2006
2004
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- 2005 1996
- 1997 1995
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